Genre: Historical Fiction Mystery
Publisher: Kensington Publishing Corporation
Publication Date: October 26th, 2021
Pages: 304, hardcover
American adventuress Beryl Helliwell and reserved Brit Edwina Davenport may seem an unlikely pair, but they have reinvented themselves in the lean years following World War I as private enquiry agents. Now they’ve been engaged to stage a faux investigation–until murder makes it all too real…
When a member of the Walmsley Parva upper crust, Constance Maitland, seeks to hire Beryl and Edwina for a sham investigation into an alleged dalliance by her sister-in-law Ursula to quell potentially scandalous accusations by an unstable cousin, it is with mixed feelings that they agree to pose as guests at her home, Maitland Park. Edwina is uncomfortable with the ruse, but Beryl is eager to escape tension with their feisty housekeeper and hobnob with bohemians as the Maitland family hosts an artists colony.
But when the painter suspected of having an affair with Ursula is found strangled beside his easel in a glade, the pretense turns into a genuine murder enquiry. With Maitland Park overrun by artists, every guest–not to mention family member–is now a suspect.
Beryl and Edwina must determine if they are dealing with a crime of passion or if there are more complex motives in play, which may include the family cigarette business, cutthroat artistic competition, or secrets from the war years. In any case, the intrepid sleuths will not leave until they have smoked out the real killer…
Beryl and Edwina are ostensibly investigating a case of adultery at an artist’s colony when one of the accused is found dead in Murder in an English Glade.
Beryl and Edwina are an odd couple that complement each other well. Beryl is (slowly) learning to temper her brashness and conviction that she knows the best way to manage things, and Edwina is opening up to even more change, both personally and professionally. Edwina even agrees to pose as an artist’s model in this book, so she’s come a long way in this fifth book in the series.
This one was more reminiscent of Christie, with the artist’s colony, the possible adulterers, an eccentric poor relation, and a group of girl guides, one of whose precociousness may well get her killed. Even though many of the elements are familiar, Ellicott makes them seem fresh. I didn’t start suspecting who the killer was until fairly late in the novel.
We learn a bit more of Beryl’s backstory and what she did during WWI. She and Edwina suffer a small misunderstanding that ends up strengthening their friendship and business partnership. Simpkins isn’t as present as much as he is in some of the other books, but he gives Beryl some food for thought, and helps her in her character growth.
This was a thoroughly enjoyable read and I highly recommended it.